SPECIFICUL TRATĂRII GENULUI DE LITURGHIE ÎN CREAŢIA COMPOZITORILOR DIN REPUBLICA MOLDOVA

Larisa BALABAN Academia de Muzică, Teatru şi Arte Plastice

Rezumat

In the article the most significant and vivid phenomena of the Moldovan religious music of the end of the XIXth - XXth centuries – Liturgy – are analyzed on the basis of choral compositions and also the aspects of their performance are discussed. The article dwells upon the influence of the Byzantine, Slavic and West-European cultures on the formation of the Moldavian church singing and on composers’ work of the end of the XIXth – the beginning of the XXIth centuries. The main goal of the article is to research this musical religious genre of the Moldavian choral culture; to determine interconnection of the musical works to the traditional genre samples of the cult music; to characterize the compositional peculiarities of musical works from interpretational point of view.